{"id":2920,"date":"2026-02-22T18:46:37","date_gmt":"2026-02-22T18:46:37","guid":{"rendered":"https:\/\/elyapimitablo.com\/tr\/?p=2920"},"modified":"2026-02-27T18:29:01","modified_gmt":"2026-02-27T18:29:01","slug":"resim-kalitesi-ve-boya-secimi","status":"publish","type":"post","link":"https:\/\/elyapimitablo.com\/tr\/resim-kalitesi-ve-boya-secimi\/","title":{"rendered":"100 Y\u0131l Solmayan Tablolar"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\"><\/h3>\n\n\n\n<p><strong>Van Gogh\u2019un Kalite Tutkusu ve Boya T\u00fcplerindeki Gizemli \u0130\u015faretler<\/strong> Vincent van Gogh, eserlerinin sadece o an\u0131 de\u011fil, y\u00fczy\u0131llar\u0131 etkilemesini istiyordu. Bu vizyonla, boya tedarik\u00e7isi Lefranc\u2019tan ald\u0131\u011f\u0131 boya t\u00fcplerinin \u00fczerindeki <strong>\u201c+++\u201d<\/strong> i\u015faretlerine b\u00fcy\u00fck \u00f6nem veriyordu. O d\u00f6nemde bu i\u015faretler, boyan\u0131n <strong>\u201cI\u015f\u0131k Hasl\u0131\u011f\u0131\u201d (Lightfastness)<\/strong> derecesini simgeliyordu; yani boyan\u0131n g\u00fcne\u015f \u0131\u015f\u0131\u011f\u0131 alt\u0131nda solmaya ne kadar diren\u00e7li oldu\u011funun bir kan\u0131t\u0131yd\u0131. Van Gogh, en k\u0131s\u0131tl\u0131 b\u00fct\u00e7eye sahip oldu\u011fu d\u00f6nemlerde bile, eserlerinin gelecekte de parlamas\u0131 i\u00e7in bu en y\u00fcksek dayan\u0131kl\u0131l\u0131k s\u0131n\u0131f\u0131ndaki boyalar\u0131 se\u00e7meye \u00f6zen g\u00f6stermi\u015ftir.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Ressam Zeliha Say\u0131l\u0131 K\u00fc\u00e7\u00fck: <\/strong>  \u00e7al\u0131\u015fmalar\u0131nda Van Gogh\u2019un bu vizyonunu g\u00fcn\u00fcm\u00fcz\u00fcn en ileri teknolojisiyle bulu\u015fturuyor. <strong>elyapimitablo.com<\/strong> b\u00fcnyesinde \u00fcretilen el yap\u0131m\u0131 tablolarda, uluslararas\u0131 <strong>ASTM-I<\/strong> standartlar\u0131nda, yani ger\u00e7ek anlamda solmazl\u0131k garantisi veren en \u00fcst segment pigmentler kullan\u0131lmaktad\u0131r. Zeliha Han\u0131m\u2019\u0131n f\u0131r\u00e7as\u0131ndan \u00e7\u0131kan her eser, sadece g\u00f6rsel bir estetik sunmakla kalm\u0131yor; kullan\u0131lan modern ba\u011flay\u0131c\u0131lar ve y\u00fcksek \u0131\u015f\u0131k hasl\u0131\u011f\u0131na sahip boyalar sayesinde, Van Gogh\u2019un hayalini kurdu\u011fu o &#8220;y\u00fczlerce y\u0131l de\u011fi\u015fmeyen canl\u0131l\u0131k&#8221; kriterini kar\u015f\u0131layan, koleksiyon de\u011feri ta\u015f\u0131yan birer yat\u0131r\u0131m niteli\u011fi kazan\u0131yor.<\/p>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td>Derece<\/td><td>Daler-Rowney Tan\u0131m\u0131<\/td><td>M\u00fcze Ko\u015fullar\u0131nda Tahmini S\u00fcre<\/td><td>ASTM Kar\u015f\u0131l\u0131\u011f\u0131<\/td><\/tr><tr><td>****<\/td><td>Permanent (Kal\u0131c\u0131)<\/td><td>100+ Y\u0131l (Solma yapmaz)<\/td><td>ASTM I (Excellent)<\/td><\/tr><tr><td>***<\/td><td>Normally Permanent<\/td><td>50 &#8211; 100 Y\u0131l (\u00c7ok iyi diren\u00e7)<\/td><td>ASTM II (Very Good)<\/td><\/tr><tr><td>**<\/td><td>Moderately Durable<\/td><td>15 &#8211; 50 Y\u0131l (Zamanla solabilir)<\/td><td>ASTM III (Fair)<\/td><\/tr><tr><td>*<\/td><td>Fugitive (U\u00e7ucu)<\/td><td>0 &#8211; 15 Y\u0131l (H\u0131zla solabilir)<\/td><td>ASTM IV-V (Poor)<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p><strong>Yukar\u0131da tabloda **** ve *** y\u0131ld\u0131zl\u0131 boyalar D\u00f6rtmevsim ve kaplumba\u011fa terbiyecisi gibi resimlerimizde kullan\u0131lmaktad\u0131r ve m\u00fcze ko\u015fullar\u0131nda 100 y\u0131la varan solmazl\u0131k sa\u011flamaktad\u0131r.<\/strong><\/p>\n\n\n\n<p><strong>Yine a\u015fa\u011f\u0131da g\u00f6r\u00fcld\u00fc\u011f\u00fc \u00fczere Vangogh boyalar ile ( +++ ) D\u00f6rtmevsim ve kaplumba\u011fa terbiyecisi gibi y\u00fcksek de\u011ferli tablolar\u0131m\u0131z\u0131n uzun y\u0131llar de\u011ferini korumas\u0131 ilk g\u00fcnk\u00fc renklerini muhafaza etmesini sa\u011fl\u0131yoruz.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td>Derece (Sembol)<\/td><td>VanGogh Tan\u0131m\u0131<\/td><td>M\u00fcze Ko\u015fullar\u0131nda S\u00fcre<\/td><td>ASTM Standard\u0131<\/td><\/tr><tr><td>+++<\/td><td>Excellent (M\u00fckemmel)<\/td><td>100+ Y\u0131l<\/td><td>ASTM I<\/td><\/tr><tr><td>++<\/td><td>Good (\u0130yi)<\/td><td>25 &#8211; 100 Y\u0131l<\/td><td>ASTM II<\/td><\/tr><tr><td>+<\/td><td>Fair (Orta)<\/td><td>10 &#8211; 25 Y\u0131l<\/td><td>ASTM III<\/td><\/tr><tr><td>o<\/td><td>Fugitive (U\u00e7ucu)<\/td><td>0 &#8211; 10 Y\u0131l<\/td><td>ASTM IV-V<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p>\u00f6rn,<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"307\" src=\"https:\/\/elyapimitablo.com\/tr\/wp-content\/uploads\/vangogh-oil-1024x307.png\" alt=\"\" class=\"wp-image-2923\" srcset=\"https:\/\/elyapimitablo.com\/tr\/wp-content\/uploads\/vangogh-oil-1024x307.png 1024w, https:\/\/elyapimitablo.com\/tr\/wp-content\/uploads\/vangogh-oil-300x90.png 300w, https:\/\/elyapimitablo.com\/tr\/wp-content\/uploads\/vangogh-oil-150x45.png 150w, https:\/\/elyapimitablo.com\/tr\/wp-content\/uploads\/vangogh-oil-768x230.png 768w, https:\/\/elyapimitablo.com\/tr\/wp-content\/uploads\/vangogh-oil-416x125.png 416w, https:\/\/elyapimitablo.com\/tr\/wp-content\/uploads\/vangogh-oil.png 1185w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Van Gogh\u2019un Kalite Tutkusu ve Boya T\u00fcplerindeki Gizemli \u0130\u015faretler Vincent van Gogh, eserlerinin sadece o an\u0131 de\u011fil, y\u00fczy\u0131llar\u0131 etkilemesini istiyordu. Bu vizyonla, boya tedarik\u00e7isi Lefranc\u2019tan ald\u0131\u011f\u0131 boya t\u00fcplerinin \u00fczerindeki \u201c+++\u201d i\u015faretlerine b\u00fcy\u00fck \u00f6nem veriyordu. O d\u00f6nemde bu i\u015faretler, boyan\u0131n \u201cI\u015f\u0131k Hasl\u0131\u011f\u0131\u201d (Lightfastness) derecesini simgeliyordu; yani boyan\u0131n g\u00fcne\u015f \u0131\u015f\u0131\u011f\u0131 alt\u0131nda solmaya ne kadar diren\u00e7li oldu\u011funun bir [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2920","post","type-post","status-publish","format-standard","hentry","category-zsk-calismalari"],"_links":{"self":[{"href":"https:\/\/elyapimitablo.com\/tr\/wp-json\/wp\/v2\/posts\/2920","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elyapimitablo.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elyapimitablo.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elyapimitablo.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/elyapimitablo.com\/tr\/wp-json\/wp\/v2\/comments?post=2920"}],"version-history":[{"count":3,"href":"https:\/\/elyapimitablo.com\/tr\/wp-json\/wp\/v2\/posts\/2920\/revisions"}],"predecessor-version":[{"id":2928,"href":"https:\/\/elyapimitablo.com\/tr\/wp-json\/wp\/v2\/posts\/2920\/revisions\/2928"}],"wp:attachment":[{"href":"https:\/\/elyapimitablo.com\/tr\/wp-json\/wp\/v2\/media?parent=2920"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elyapimitablo.com\/tr\/wp-json\/wp\/v2\/categories?post=2920"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elyapimitablo.com\/tr\/wp-json\/wp\/v2\/tags?post=2920"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}